Sword Art Online: Alicization
Wikipedia list article
Season of television series
|Sword Art Online|
|Country of origin||Japan|
|No. of episodes||47|
|Original network||Tokyo MX|
|Original release||October 7, 2018 (2018-10-07) –|
September 20, 2020 (2020-09-20)
|List of episodes|
Sword Art Online: Alicization is the third season of the anime series adapted from the light novel series Sword Art Online, written by Reki Kawahara and illustrated by abec. It is animated by A-1 Pictures and directed by Manabu Ono. It covers the first part of the "Alicization" arc and adapts from the novel's ninth volume, Alicization Beginning, to the fourteenth volume, Alicization Uniting. The second part of the anime, titled Sword Art Online: Alicization – War of Underworld, adapts from the novel's fifteenth volume, Alicization Invading, to the eighteenth volume, Alicization Lasting. While not covered in the light novels, Alicization takes place after Sword Art Online The Movie: Ordinal Scale, as it incorporates elements from the film not in the novels.[a]
The first part of the series premiered on October 7, 2018, and aired until March 31, 2019, with a one-hour world premiere airing in Japan, the United States, Mexico, Australia, France, Germany, Russia, and South Korea on September 15, 2018. The second part of the series premiered on October 13, 2019, and aired until December 29, 2019, with a recap episode summarizing the first part airing on October 6, 2019. The second half of the War of Underworld series was originally scheduled to premiere on April 26, 2020, but was delayed to air from July 12 to September 20, 2020, due to the COVID-19 pandemic.Aniplex of America's English-dubbed version aired on Adult Swim's Toonami programming block from February 10 until July 14, 2019, while the first cour of the second part of the series aired from January 19 until April 5, 2020. The second cour of the second part of the series premiered on Toonami on November 8, 2020. The series is available with multilingual subtitles on iQIYI in South East Asia.
The first opening theme of Sword Art Online: Alicization is "Adamas" by LiSA and the first ending theme is "Iris" (アイリス) by Eir Aoi. The second opening theme is "Resister" by Asca and the second ending theme is "Forget-me-not" by ReoNa, with episode 19 featuring "Niji no Kanata ni" (虹の彼方に, Beyond the Rainbow), also sung by ReoNa. In Sword Art Online: Alicization – War of Underworld, the first opening theme is "Resolution" by Haruka Tomatsu, and the first ending theme is "Unlasting" by LiSA. The second opening theme is "Anima" by Reona and the second ending theme is "I will" by Eir Aoi. The series' music is composed by Yuki Kajiura.
Sword Art Online: Alicization (2018–19)
Sword Art Online: Alicization – War of Underworld (2019–20)
Sword Art Online: Alicization
|Volume||Episodes||Blu-ray and DVD release date|
|Volume 1||1–3||January 30, 2019|
|Volume 2||4–6||February 27, 2019|
|Volume 3||7–9||March 27, 2019|
|Volume 4||10–12||April 24, 2019|
|Volume 5||13–15||May 29, 2019|
|Volume 6||16–18.5||June 20, 2019|
|Volume 7||19–21||July 24, 2019|
|Volume 8||22–24||August 28, 2019|
Sword Art Online: Alicization – War of Underworld
|Volume||Episodes||Blu-ray and DVD release date|
|Volume 1||1–3||December 25, 2019|
|Volume 2||4–6||January 29, 2020|
|Volume 3||7–9||February 26, 2020|
|Volume 4||10–12||March 25, 2020|
|Volume 5||13–15||September 9, 2020|
|Volume 6||16–18||October 14, 2020|
|Volume 7||19–21||November 11, 2020|
|Volume 8||22–23||December 9, 2020|
- ^Such as Asuna's ring given to her by Kirito in the film or Kirito's friends using the Augma, which was introduced in the film.
- ^ abAll English titles are taken from Crunchyroll.
- ^ abTokyo MX lists the series as premiering at 24:00 on Saturday, which is effectively Sunday at 12:00 a.m. JST.
- ^Sword Art Online: Alicization premiered with a special one-hour episode, with pre-screenings in several countries on September 15, 2018.
- ^The English dub of episode 6 of Alicization originally aired on March 17, but due to a broadcast error six minutes into the episode that caused it to freeze, it had to be skipped for the next show on the schedule. The full uninterrupted episode was uploaded hours later on Adult Swim's website. Toonami re-aired the episode on March 24, pushing back episode 7 for a back-to-back airing with episode 8 the following week on March 31.
- ^The first 2 episodes were screened on October 6, 2019 at Madman Anime Festival Perth, Australia, and at Anime Fest @ NYCC in New York City, United States.
- ^"Sword Art Online: Alicization Anime's 1st Video Reveals Staff, October Premiere". Anime News Network. March 23, 2018. Archived from the original on 2018-03-24. Retrieved March 23, 2018.
- ^Antonio Pineda, Rafael (August 9, 2018). "Sword Art Online: Alicization Anime Gets 1-Hour World Premiere in 7 Countries". Anime News Network. Archived from the original on 2018-08-10. Retrieved August 10, 2018.
- ^"Sword Art Online: Alicization - War of Underworld Anime's Teaser Reveals October Premiere". Anime News Network. March 30, 2019. Retrieved March 30, 2019.
- ^"Sword Art Online: Alicization - War of Underworld Anime premiered on October 12". Anime News Network. September 10, 2019. Retrieved September 10, 2019.
- ^"Sword Art Online: Alicization - War of Underworld Anime's Remaining Episodes to Premiere on April 25". Anime News Network. February 25, 2020. Retrieved February 25, 2020.
- ^ ab"Sword Art Online: Alicization War of Underworld Part 2 Anime Debuts on July 11 After COVID-19 Delay". Anime News Network. June 9, 2020. Retrieved June 9, 2020.
- ^ abc"Sword Art Online: Alicization Premieres on Toonami on February 9". Anime News Network. January 24, 2019. Archived from the original on 2019-01-25. Retrieved January 24, 2019.
- ^ ab"Toonami Premieres Sword Art Online: Alicization War of Underworld Part 2 Anime on November 7". Anime News Network. October 20, 2020. Retrieved October 20, 2020.
- ^"LiSA, Eir Aoi Perform Sword Art Online: Alicization Anime's Theme Songs". Anime News Network. August 16, 2018. Archived from the original on 2018-08-16. Retrieved August 16, 2018.
- ^"ASCA, ReoNa Perform New Theme Songs for Sword Art Online: Alicization Anime". Anime News Network. December 8, 2018. Archived from the original on 2018-12-09. Retrieved December 8, 2018.
- ^"Sword Art Online: Alicization - War of Underworld Anime's New Promo Video Reveals Haruka Tomatsu's Opening Theme". Anime News Network. September 21, 2019. Retrieved September 21, 2019.
- ^"LiSA Performs Sword Art Online: Alicization - War of Underworld Anime's Ending Theme". Anime News Network. October 6, 2019. Retrieved October 6, 2019.
- ^ ab"Story" (in Japanese). A-1 Pictures. Archived from the original on 2018-12-02. Retrieved November 28, 2018.
- ^ (in Japanese). Tokyo MX. Retrieved October 9, 2018.
- ^ ab"Schedule - Adult Swim". Adult Swim. Retrieved February 19, 2019.
- ^ [Episode 1 - "Underworld"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved October 6, 2018.
- ^ [Episode 2 - "The Demon Tree"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved October 9, 2018.
- ^ [Episode 3 - "The End Mountains"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved October 16, 2018.
- ^ [Episode 4 - "Departure"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved October 23, 2018.
- ^ [Episode 5 - "Ocean Turtle"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved October 30, 2018.
- ^"Toonami". Facebook. March 18, 2019. Retrieved March 18, 2019.
- ^ [Episode 6 - "Project Alicization"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved November 6, 2018.
- ^ [Episode 7 - "Swordcraft Academy"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved November 13, 2018.
- ^ [Episode 8 - "Swordsman's Pride"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved November 24, 2018.
- ^ [Episode 9 - "Nobleman's Responsibilities"] (in Japanese). Aniplex. Archived from the original on 2018-12-02. Retrieved December 1, 2018.
- ^ [Episode 10 - "Taboo Index"] (in Japanese). Aniplex. Archived from the original on 2018-12-09. Retrieved December 5, 2018.
- ^ [Episode 11 - "Central Cathedral"] (in Japanese). Aniplex. Archived from the original on 2018-12-15. Retrieved December 15, 2018.
- ^ [Episode 12 - "The Sage of the Library"] (in Japanese). Aniplex. Archived from the original on 2018-12-21. Retrieved December 19, 2018.
- ^ [Episode 13 - "Ruler and Mediator"] (in Japanese). Aniplex. Archived from the original on 2018-12-29. Retrieved December 29, 2018.
- ^ [Episode 14 - "The Crimson Knight"] (in Japanese). Aniplex. Archived from the original on 2019-01-12. Retrieved January 10, 2019.
- ^ [Episode 15 - "The Relentless Knight"] (in Japanese). Aniplex. Archived from the original on 2019-01-18. Retrieved January 16, 2019.
- ^ [Episode 16 - "The Osmanthus Knight"] (in Japanese). Aniplex. Archived from the original on 2019-01-24. Retrieved January 23, 2019.
- ^ [Episode 17 - "Truce"] (in Japanese). Aniplex. Archived from the original on 2019-02-10. Retrieved January 30, 2019.
- ^ [Episode 18 - "The Legendary Hero"] (in Japanese). Aniplex. Archived from the original on 2019-02-09. Retrieved February 7, 2019.
- ^"Monogatari Series Rebroadcast Takes Over Sword Art Online: Alicization Anime's Timeslot Starting on April 6". Anime News Network. Anime News Network. February 10, 2019. Archived from the original on 2019-02-10. Retrieved February 10, 2019.
- ^ [Episode 18.5 - "Recollection"] (in Japanese). Aniplex. Archived from the original on 2019-02-14. Retrieved February 14, 2019.
- ^ [Episode 19 - "The Seal of the Right Eye"] (in Japanese). Aniplex. Archived from the original on 2019-02-19. Retrieved February 19, 2019.
- ^ [Episode 20 - "Synthesize"] (in Japanese). Aniplex. Archived from the original on 2019-02-28. Retrieved February 28, 2019.
- ^ [Episode 21 - "The 32nd Knight"] (in Japanese). Aniplex. Archived from the original on 2019-03-06. Retrieved March 6, 2019.
- ^ [Episode 22 - "Titan of the Sword"] (in Japanese). Aniplex. Archived from the original on 2019-03-16. Retrieved March 16, 2019.
- ^ [Episode 23 - "Administrator"] (in Japanese). Aniplex. Archived from the original on 2019-03-22. Retrieved March 22, 2019.
- ^ [Episode 24 - "My Hero"] (in Japanese). Aniplex. Archived from the original on 2019-03-29. Retrieved March 29, 2019.
- ^ (in Japanese). Tokyo MX. Retrieved October 4, 2019.
- ^ (in Japanese). Aniplex. September 10, 2019. Archived from the original on 2019-09-10. Retrieved September 10, 2019.
- ^"Sword Art Online Alicization War of Underworld Australian Premiere". Madman Anime Festival. Madman Entertainment. Retrieved September 24, 2019.
- ^Mateo, Alex (September 25, 2019). "Anime Fest @ NYCC Hosts Sword Art Online: Alicization - War of Underworld Anime's N. American Premiere". Anime News Network. Retrieved September 29, 2019.
- ^"Toonami Premieres Sword Art Online: Alicization - War of Underworld Anime on January 18". Anime News Network. January 8, 2020. Retrieved January 8, 2020.
- ^ [Episode 1 (25) - "In the North"] (in Japanese). Aniplex. Archived from the original on 2019-10-10. Retrieved October 10, 2019.
- ^ [Episode 2 (26) - "Raids"] (in Japanese). Aniplex. Archived from the original on 2019-10-16. Retrieved October 16, 2019.
- ^ [Episode 3 (27) - "The Final Load Test"] (in Japanese). Aniplex. Archived from the original on 2019-10-25. Retrieved October 25, 2019.
- ^ [Episode 4 (28) - "Dark Territory"] (in Japanese). Aniplex. Archived from the original on 2019-11-18. Retrieved November 18, 2019.
- ^ [Episode 5 (29) - "The Night Before Battle"] (in Japanese). Aniplex. Archived from the original on 2019-11-18. Retrieved November 18, 2019.
- ^ [Episode 6 (30) - "Battle of the Knights"] (in Japanese). Aniplex. Archived from the original on 2019-11-18. Retrieved November 18, 2019.
- ^ [Episode 7 (31) - "Stigma of the Disqualified"] (in Japanese). Aniplex. Archived from the original on 2019-11-22. Retrieved November 22, 2019.
- ^ [Episode 8 (32) - "Blood and Life"] (in Japanese). Aniplex. Archived from the original on 2019-11-30. Retrieved November 30, 2019.
- ^ [Episode 9 (33) - "Sword and Fist"] (in Japanese). Aniplex. Archived from the original on 2019-12-07. Retrieved December 8, 2019.
- ^ [Episode 10 (34) - "Stacia, the Goddess of Creation"] (in Japanese). Aniplex. Archived from the original on 2020-06-15. Retrieved December 8, 2019.
- ^ [Episode 11 (35) - "Heartless Choice"] (in Japanese). Aniplex. Archived from the original on 2020-06-15. Retrieved December 8, 2019.
- ^ [Episode 12 (36) - "Ray of Light"] (in Japanese). Aniplex. Archived from the original on 2020-06-15. Retrieved December 8, 2019.
- ^ [Episode 12.5 (36.5) - "Reminiscence"] (in Japanese). Aniplex. Archived from the original on 2020-07-05. Retrieved July 5, 2020.
- ^ [Episode 13 (37) - "The Great Underworld War"] (in Japanese). Aniplex. Archived from the original on 2020-07-11. Retrieved July 11, 2020.
- ^ [Episode 14 (38) - "End to Eternity"] (in Japanese). Aniplex. Archived from the original on 2020-07-18. Retrieved July 11, 2020.
- ^ [Episode 15 (39) - "Instigation"] (in Japanese). Aniplex. Archived from the original on 2020-07-25. Retrieved July 26, 2020.
- ^ [Episode 16 (40) - "Code 871"] (in Japanese). Aniplex. Archived from the original on 2020-08-01. Retrieved August 1, 2020.
- ^ [Episode 17 (41) - "Prince of Hell"] (in Japanese). Aniplex. Archived from the original on 2020-08-08. Retrieved August 9, 2020.
- ^ [Episode 18 (42) - "Memories"] (in Japanese). Aniplex. Archived from the original on 2020-08-15. Retrieved August 16, 2020.
The third season of Sword Art Online, titled Sword Art Online: Alicization, is an anime series adapted from the light novel series of the same title written by Reki Kawahara and illustrated by abec. It is animated by A-1 Pictures and directed by Manabu Ono. It covers the first part of the “Alicization” arc and adapts from the novel’s ninth volume, Alicization Beginning, to the fourteenth volume, Alicization Uniting. The second part of the anime, titled Sword Art Online: Alicization – War of Underworld, adapts from the novel’s fifteenth volume, Alicization Invading, to the eighteenth volume, Alicization Lasting. While not covered in the light novels, Alicization takes place after Sword Art Online The Movie: Ordinal Scale, as it incorporates elements from the film not in the novels.
The first part of the series premiered on October 7, 2018, and aired until March 31, 2019, with a one-hour world premiere airing in Japan, the United States, Mexico, Australia, France, Germany, Russia, and South Korea on September 15, 2018. The second part of the series premiered on October 13, 2019, and aired until December 29, 2019, with a recap episode summarizing the first part airing on October 6, 2019. The second half of the War of Underworld series was originally scheduled to premiere on April 26, 2020, but was delayed to air from July 12 to September 20, 2020, due to the COVID-19 pandemic. Aniplex of America’s English-dubbed version aired on Adult Swim’s Toonami programming block from February 10 until July 14, 2019, while the first cour of the second part of the series aired from January 19 until April 5, 2020. The second cour of the second part of the series premiered on Toonami on November 8, 2020. The series is available with multilingual subtitles on iQIYI in South East Asia.
To Read More About Soward Art Online Season 3 Visit Wikipedia
Sword Art Online: Alicization
Add to My List
Add to Favorites
English: Sword Art Online: Alicization
Synonyms: Sword Art Online III, SAO Alicization, Sword Art Online 3, SAO 3
Japanese: ソードアート・オンライン アリシゼーション
Status: Finished Airing
Aired: Oct 7, 2018 to Mar 31, 2019
Broadcast: Sundays at 00:00 (JST)
Producers:Aniplex, Genco, Bandai Namco Entertainment, Straight Edge, Kadokawa
Licensors:Aniplex of America
Studios:A-1 Pictures, Egg Firm
Source: Light novel
Genres:ActionAction, AdventureAdventure, FantasyFantasy, RomanceRomance
Duration: 24 min. per ep.
Rating: R - 17+ (violence & profanity)
1 indicates a weighted score.
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Official Site, AnimeDB, AnimeNewsNetwork, Wikipedia
The Soul Translator is a state-of-the-art full-dive interface which interacts with the user's Fluctlight—the technological equivalent of a human soul—and fundamentally differs from the orthodox method of sending signals to the brain. The private institute Rath aims to perfect their creation by enlisting the aid of Sword Art Online survivor Kazuto Kirigaya. He works there as a part-time employee to test the system's capabilities in the Underworld: the fantastical realm generated by the Soul Translator. As per the confidentiality contract, any memories created by the machine in the virtual world are wiped upon returning to the real world. Kazuto can only vaguely recall a single name, Alice, which provokes a sense of unease when mentioned in reality.
Characters & Voice Actors
I tried to like this. I really, really did. I was even sticking out for it upon its announcement because for all of the problems earlier iterations of SAO had, there was always a sense that, if the finer details were checked over and looked at in complete retrospect of what came before, it could be deservedly fun, inspiring or genuinely meaningful. A series deserving of the immeasurable hype phenomenon it generated. Escapism, blurring between actions of reality and fiction was always a thematic that separated the series from the many isekais this decade that followed in its footsteps, and something that held my interest in how it would be handled, but aside from arguably the Mother’s Rosario arc, this wasn’t given enough space in the narrative between all the superfluous anime tropes that seem to be there to draw the most general audience possible. Look no further than the original Aincrad arc, praised most by anime-only fans for its concepts, but forcibly rushed to completion when its author chose to submit a word limited contest draft as the first novel, compared to refining the fully story he wanted to make.
Sword Art Online’s biggest problem is itself.
Its writer, Reki Kawahara, keeps getting in his own way, and when he doesn’t, the anime eschews his vision. What he wants to get across is almost always clear, and there are effortful attempts to act on those ideas, but with the anime’s focus on moving the plot forward rather than making details feel elaborately set, it ends up bringing down the entire experience to make watching the series weekly for the most part, feel like a slog of boring exposition attempting to cover up poor pacing of external events. If something from earlier is justified, it can feel annoyingly retroactive. Kirito himself is less a factor than in previous arcs, he is still partially to blame in the indistinct coverage of how this season adds to the themes of the franchise.
General spoilers for the season below:
The main premise of this arc is that Kirito, while on a date with his girlfriend Asuna, is caught off guard and stabbed to near death by one of the three Death Guns from the previous season. While in a coma, he ends up in the digital world of Rath, a system used for a military experimentation project where he must do..............................nothing in particular at no real urgency. There is a plot, and there is a goal, but for once they feel entirely separate from the tension.
But I’ll get to that later. SAO, being as popular as it is, has mostly being met with snark and derision from people calling it the “worst ever” or otherwise exaggerating the flaws of it, so I think it’s fair to start off with the positives of this season, because contrary to what haters will tell you, they do exist.
1. Production value and music. These have been consistent strengths of the SAO series throughout the years and generally, they still hold up here. The character models take on the new polished style from the Ordinal Scale Movie, and while not having as much animation (I’ll get to that), the look is maintained very well across all 24 episodes of the show. If you compare to the original two seasons, there is a definite improvement, and while the architecture present isn’t particularly unique or standout, it is well presented. Likewise, Yuki Kajura’s music, while not her best soundtrack, still does what it can to set the mood for the quieter scenes and the action scenes, with a great new remix of Swordland to go along with it. Special mention to some of the opening moments of Episode 2, and the fight in Episode 16. Of the music outside of the show, the first OP and the second ED are the best ones and do have a good amount of catchiness and energy to them.
2. Alice Schuberg, the arc’s new female lead. While it takes 16 episodes in to actually really explore her as a character, and she looks a lot like Saber from the Fate series, the time we do have from then on with her sets her as probably the most consistent female lead in SAO so far. As of yet, she’s hasn’t been subjected to an endless supply of ass shots, her growth hasn’t been stunted by time skips, nor is her growth entirely for Kirito’s sake. Her arc of rejecting the corrupt system she’s been brainwashed under, wanting to reconnect with her old life and opening up on her feelings is adequately handled and leads to some of the stronger character moments this season. She also has one of the coolest weapons in terms of both design and animation; a space bending sword acting as moving protection with golden butterflies as weapons. It’s been put to effective use in the fights so far and has potential to be used further as the story moves along.
3. Measuring Kirito’s power. Compared to say, the Phantom Bullet arc, some of the worst aspects of his character are toned down. He doesn’t start the series overpowered from the get-go, has actual struggles in several fights and even takes a few Ls in a couple of them. It gives a couple of the fights in the season more tension than previous ones. The existence of Eugeo also helps for his sake since the show is better able to balance the battles between the two of them rather than giving Kirito the entire spotlight. It doesn’t mean there isn’t still an annoying amount of contrived solutions to conflicts, but that’s more on the writing than him specifically.
4. Actually building the villain. The arc’s villain, a Knight Templar dictator calling herself Quinella, has an established backstory and a defined reason for ruling the way she does. We know why she is the villain, we see the clear consequences of her actions on the world and she isn’t as laughable to be taken seriously compared to say, Sugou from ALFheim. She’s a product of an as of now unknown evil seed, but nonetheless she’s established properly. However, showing her attractive naked body on screen doesn’t work at all to be alienating for a series that in the past used naked bodies during bath scenes as fanservice. There are some fun intensity moments with her in the climax, even if the battle is a mere two minutes long.
Unfortunately, that’s the positives out of the way. Now for everything else that really breaks this arc and saddens me given the inherent potential of a SAO story.
The biggest problem that persists throughout the entire show is the immeasurable focus on exposition over every other element. Characters will abandon the idea of development, fighting, talking, world building, or anything else for the opportunity to talk in technical terms about topics that, while somewhat relevant, are not as important as what else could be focused on. Eugeo, the new male lead, has got family issues? No, that's not important. We need to talk about the villain’s plan and “Fluctlights” (the series’ pretentious name for digital souls in an indistinct coverage of AI vs humans) again. Knowing how that works is way more important that a main character's backstory. The exposition often brings the narrative to a screeching halt, especially in scenes where the heroes stop fighting the villain and exposition for a few minutes while the villain just stands around waiting for them.
Exposition is something inherent in building a setting and establishing the plot. I understand the use for it. There are several shows that have still been entertaining despite or because of their exposition. But SAO Alicization’s exposition is not only incredibly frequent but boring and lacking in character. It’s frequent enough to where Episode 1 spends 10 minutes just expositioning off vague terms about the setting, while half of Episode 12 and nearly all of Episode 13 are nothing but this flat delivery of the plot. Other episodes tend to tag nearly every fight with exposition that’s 8 times longer than the fight itself. While the old director was no exemplar by any means, he at least knew how to make fights seem varied and exciting visually with a lot of movement. Here, Yuki Kajiura puts in the effort, but this new director who directed some of the worst LN adaptations in recent memory like Mahouka and The Asterisk War, just cannot pull it off. So, when the OP makes you think you’ll be getting this epic fight, it’s usually just maybe two attacks apiece preceded and followed by 5-10 minutes of exposition.
The framing device of the season also presents several issues this time around. The idea that Kirito’s exploration in this new world is happening while his real-world body is comatose could generate tension, but this alongside Kirito’s connection to the real world is poorly substantiated. In learning about this framing device, we, as the audience, know it is just a waiting game for Kirito to heal up and be back to normal. Until the very last episode, his actions in Rath have absolutely no consequences in the real world. None of that “die in the game die in real life” stuff here. He gets really hurt from time to time but we have no idea how his real body is taking it. There’s a two-year timeskip at one point, but unlike in Season 1 where it really was two years, we have no idea how much the time exchange is between the system and the real world which I think hurts the connection to the story. This framing device also separates Kirito from his past connections in this story. I don’t mind the reduced role of his entourage for the moment (even if Asuna, who SHOULD be important, has nothing to do right now), but he barely brings them up over what’s been at least two years. There was one moment Kirito thought of his real-world connections, but that was for a poorly animated fight that ended in a draw and had absolutely no effect going forward. Kirito cries more over the fact that flowers he planted were destroyed (that were contrivedly brought back anyways) than even the chance that he might NEVER see Asuna again being stuck for so long. I want to care, but the show refuses to let me with a framing device that undermines the events and severs past connections.
Other old habits die hard, whether because of Kawhara’s own writing or the adaptation. Not only do we get another ridiculous rapey scene, but there’s a two-year timeskip rather than say, actually seeing Kirito and Eugeo train up to be better swordsman. They set off for the Capital and the next we see them, BOOM, two years pass, and they’ve already had a lot of training done. They could’ve at least done an FMA03 type thing by building character relationships prior to a timeskip but nope, nearly all relationships at the sword academy are shown after and as of now, doesn’t matter to anything since we know so little about them. If this was better in the light novel, good for Kawahara, but perhaps it should’ve been a cause for concern seeing how much got cut for the anime onlys. In this adaptation, the only purpose of the sword academy stuff, aside from telling us Kirito and Eugeo became better swordsmen offscreen, was to build two bullies as irredeemable rapey monsters, and paint two cute girls as victims of this. We don’t know much about them either, aside from one of them having a romance arc with Eugeo that goes absolutely nowhere. There’s also a lot of contrivances to make progress, like with Kirito seeing the “ghost” of Alice in Episode 4 lead him the right way, how Cardinal is introduced into the story specifically to ex Machina Kirito and Eugeo out of a scene, and how Kirito uses a completely unknown attack to one shot a late-game villain that returns him to his Black Swordsman coat for a bit. This attack is never referred to by name and never mentioned again.
And it’s not like this progress has done well for the characters, as Alice aside, they range from passable to horribly flat. Kirito isn’t as overpowered as before, but aside from problems the framing device puts on him, he still has annoying moments, like one case where he retroactively Sherlocked his way to avoid being poisoned, or where he used a device he only had two of on a character he barely knew, rather than to potentially stop the villain and save Alice. The show puts him in the right for this by the way, and there’s not much of an arc for him this season either. Cardinal is actually pretty decent, even if the show’s use of her as an ex Machina isn’t for the best. The sword academy characters are barely developed at all, and among the antagonists, only Bercouli and Deusolbert are passable; the rest are just obnoxious. Fanatio’s only character trait is being ashamed of being a woman, which falls deaf when both the main villain and Alice, whom she knows personally, are also women, as well as there being no indication of gender division in the world. And Chudelkin’s only purpose is to ruin the tone and make rapey faces whenever possible until kill stealing at the end.
Which leads us to the biggest wasted potential so far, Eugeo. There was a lot of potential for his character at the start. Being a guy partner to help balance Kirito out of the spotlight, there was a lot Kawahara could do with what he distinctly did not know about Kirito, his personal relationships with him and Alice as kids, his fighting ability, the idea that he has more innate fighting potential than Kirito, his unawareness of being an AI program and his romantic relationship to Tiese.
Unfortunately, not one of these elements get to shine in this adaptation to let us in on his blank sheet personality. Perhaps improved in the light novel, but the anime should have better stood on its own. Him having more innate potential than Kirito is completely ignored later on, his sword training is told not shown, and anything the show tries to pull regarding his relationships with Kirito/Alice as kids, his family, or Tiese fall completely deaf because they received little to no focus. He didn’t even TALK to Alice in the present day, once. The show would rather go into long tirades of exposition than show a main character’s backstory! Near everything about him was entirely cut short by the show despite having more than enough time to act on all of it. They try their best to make up for it at the end, but it’s a bit too little too late.
It’s hard to say whether I’m more annoyed or disappointed with how Alicization has been executed so far. Sure, some of the problems in the world, characters and framing device can be fixed going forward, but first impressions are everything and this series did not make a good one. The focus on constant exposition over all else, the disconnected framing device, and lackluster character writing drag it down more than needed, but it could’ve been avoided if Kawahara just knew what to focus on or the anime didn’t skim over the better parts, since his ideas are abundantly clear. The SAO franchise can theoretically explore a lot, but it almost deliberately gets written into corners. That’s something I’ve always given SAO over the many works that have almost no effort at all to act on their ideas, and though there’s that chance for the future with new elements coming in to make the second half an improved experience, this season’s quality suggests it won’t be without a wide range of caveats.
In a world where popular light novels gets anime, manga, games, and hell, even live action movies, there’s one title I’m sure no anime fan can ignore. Sword Art Online. Becoming ever more popular and entering a mainstream line of anime adaptations, the franchise has also no doubt sparked decent deal of controversy. But hey, controversy sometimes makes cash right?
It’s not rocket science to realize SAO would eventually get a continuation. It was just a matter of when and after 5 years since the second season, the time is now. Sword Art Online Alicization covers the light novels with an extended amount of material, much more than the previous season. It’s so much that in fact, a full 2-cour season of 24 episodes isn’t enough. Luckily, it has been confirmed the series would run more than that and given an additional season for its adaptation. However, the big question people should ask themselves if this is another SAO show to jump into or a cash grab at making more money.
Starting with the prologue, we get a double length episode to give a general background of the new season. Make no mistake though as Alicization is not going to spoonfeed viewers with recapping. The show assumes you are familiar with the first two shows so anyone hoping to watch this needs to have completed the first two seasons. Light novel adaptations tends to suffer a lot from adaptation standards but thankfully, Alicization manages to deliver a faithful start with its character cast and storytelling. Besides Kirito, we are introduced to Eugeo, a new character who serves as his partner and best friend in this arc. Similar to Kirito, he has a kind heart although lacks experience in the beginning compared to him. He also appears somewhat cowardly in the beginning as he is unable to prevent certain events from happening, in particular for failing to help his childhood friend Alice. It’s not until he meets Kirito that he develops a resolve and finds the courage to become a stronger person. That is to say, Alicization features a lot of character bonding especially in the first half of the show. Eugeo begins to grow out of his shell after training and becoming strong enough to fight as a warrior. It really shouldn’t take long to realize that he has great potential, perhaps even someday of surpassing Kirito himself. As for Kirito, his personality remain largely the same in this season. That is, he is a selfless person who isn’t afraid to help others in need. Kirito and Eugeo develops great respect for each other and the latter even finds his resolve. The two sometimes almost feel like brothers.
Outside of the duo, you may have noticed another prominent character being featured in the trailers or key visuals. Alice would be her name and she is Eugeo’s childhood friend. The show makes it clear that she is an important character from her introduction to later on in the story. Alicization also devotes time to developing her character after meeting Kirito. Despite having a rocky start, she develops respect and a growing trust for him. Now, people may have a curiousity if Alice become another ‘harem girl’ similar to some of the previous seasons. SAO is not a harem although it gives off a stench at times. Thankfully, there’s no need to worry. The closest that Alice seems to be with Kirito is when they are at the tower during one of the episodes and nothing more comes out of it. On the other hand, Kirito’s friends from the real world are still concerned about his well-being. In particular, Asuna searches for him through unorthodox methods while discovering some revelations about the technology in the real world. Remember, the world of SAO contains complex technology that defies the law of nature. I’m not even referring the VR system or robotics but rather the capability of influencing people’s lives. This extends to the virtual world where the Administrator managed to use system commands to reverse her own age. Sounds unbelievable, right?
As with previous seasons, Alicization can’t be complete without antagonists and conflicts. One of the major antagonist in the new season is the Administrator, Quinella and her Integrity Knights. She’s an important character as not only is she a threat to the main protagonists but also a catalyst for some of the key events in this season. This includes character manipulation that extends to our new characters such as Eugeo and Alice. I’m not going to lie though, one of the events in this show is rather disturbing to watch considering the way she manipulates others. (I’m looking at you, Eugeo) On even more disturbing matters, we even have characters that commits unforgiveable sins that pushes Eugeo to the edge. It’s the type of event that brings controversy out of its fullest. I’m not going to spoil it but when you get to that particular episode, you’ll feel disgusted too. It’s so disturbing that it even changes Eugeo’s views on the laws of their world and causes him to rebel. Quinella herself also demonstrates a God-like complex with her own dark motives. If I said it once, I’ve said it a hundred times. She is detestable. I doubt anyone with a sane mind would find her character likable.
I can’t be the only one to notice that the animation quality improved more than the previous seasons, right? The Ufotable-like animation is used in parallel with the Sword Art Online movie, Ordinal Scale. Not only did the animation style improve, it also managed to craft an imaginative virtual world to it its fullest. The character designs are also featured in great details compared to previous seasons. In particular, Alice is important to note for her chivalrous look and golden armor. Character expressions are meaningful with an emphasis put on human emotions. Eugeo is a prominent example especially as his personality shifts from a weak survivor to a noble swordsman. While I’m not impressed by how antagonist are portrayed this season, they were able to deliver their dialogues straight with a degree of villainous expressions. Quinella is the biggest culprit with her manipulative personality. Her malevolence simply cannot be overlooked.
The SAO franchise is one of the longer light novel running adaptations that continues to build more into its universe. Truthfully and despite some of the controversy from the past seasons, this one managed to finally jump out of its rabbit hole and deliver what I wanted to see. With another season on the way, I cross my fingers that it will ride on this momentum.
The anime community seems to be split in its opinion on SAO. Half of them ignore everything positive about it and only talk about negetive things. The other half just does the opposite. No other anime has been this controversial for more than 5 years after its original release. Now here is a new season that features mostly different cast from the original. So is it worth watching or not? Here is my analysis:-
**THIS WILL INCLUDE MINOR SPOILERS ABOUT THE OVERALL SETTING **
The story this time is centered not on a game, but around a simulation of civilization. The aim of this simulation is to develop highly advanced A.I capable of thoughts and emotions. It brings about some ethical questions about humanity, playing God, and where to draw the line in scientific experiments. This season deals with more of these mature themes than the previous seasons ever did.
The premise is that Kirito finds himself in a medieval world with its own history and lore and journeys with his newfound friend Eugeo to achieve both of their (different) goals. It starts out slow, with a lot of focus on world building. Even though it seems disconnected to the plot of the previous seasons, eventually many plot points from before will make their way into the story. So it is important to watch the last seasons to get a full understanding of the current season.
Eugeo is the focus of these two cours, Kirito just tagging along. He has an innocent, easygoing personality that makes the story work - much like Frodo from Lord of the Rings. He is the embodiment of a common citizen of Underworld. His opinions about himself, others and the society he is in changes throughout the story and the viewers get to experience the same things he does. Alice has not much role in the initial part, but her time for development will come in the 3rd and 4th cours.
Unlike SAO's history, there is pain and blood in the fights. It makes the characters' struggle believable and makes you root for the characters. Later on, the story gets even more darker without resorting to plain bloodshed - in a psychological way. Kirito is not overpowered in this arc. He only has the knowledge of a swordsman and works his way from the bottom up.
The entire story is well thought out and is planned beforehand. There are several questions that arise in the early episodes - the answers are made clear slowly, as the plot progresses. Some of the things happened may seem irrelevant and random, but they make sense eventually.
A large number of new characters are introduced in this season. Most of them influence main characters in various ways. The three main characters undergo some changes throughout the series and get some good character development. But the same cannot be said about the side characters.These characters last only for about 3 episodes and don't make an appearence till the 2nd part of this arc, but the gap is too long.
The review will be incomplete if the villain is not mentioned. It is an ambitious character capable of easily manipulating others for personal gain that ended up turning into a different and dangerous entity due to an accident. Certainly there are better villains in the anime history, but this character is arguably the best villain SAO has seen so far. There is a moral ambiguity for this character.
There are plenty of criticisms that can be offered as well. Some episodes have a lot of talking involved. A lot of exposition is delivered this way. People expecting all out action scenes will be disappointed or bored by these episodes. There is some pseudo-science explanation for the premise. It may not appeal to everyone.
The tower climbing arc is adapted very poorly. The Integrity knights that are supposed to have their own reasons and understandings about the world around them are dumbed down to mere villains of the week. The cliffhangers are conceived in a very poor way. They feel forced and unnecessary because most of the fights are very short.
The anime looks gorgeous with colorful shading - just like Ufotable. But the same can't be said about action sequences. In many action sequences, the frame of animation focuses only on one character. It makes the viewer unable to follow the fights well. The short fights are usually already ended by the time we get invested into them.
The soundtrack is underwhelming compared to the last seasons. Old music is repeatedly used by remixing it. Only few soundtracks are memorable and they don't last long. Some of them sound very similar to Yuki Kajiura's other works. Only new notable music is the Eugeo's theme and the Quinella's theme.
The adaptation of the source material is below average. It is not butchered to Tokyo Ghoul Re's extent, but it is significantly rushed and cuts out a good amount of inner monologues that gives a good understanding of character relations and motivations. Think of the GGO arc that lasted for 14 episodes but now compress it into 8 episodes. That is how much rushed it actually is. Even so, everything that has happened can still be understood with some thought.
Tl;dr - If you liked the previous seasons, it is a must watch.
If you thought that the previous seasons were wasted potential then this is still worth watching as it explores a different theme - in far more detail.
However if you didn't like the original characters of SAO, then better stay away from this season. Chances are that you will not like this season either.
There is still two more cours to come. But that is a different entry in the database. Be informed that the story doesn't end yet.
For me, what is great about this arc are its themes and execution, albeit the poor adaptation.
Sword Art Online franchise presents a new entry with its Alicization ark and doubles down on familiar writing disasters. With this season SAO reaches new storytelling lows and also seems to lose its last redeeming quality – action scenes.
SCORE: 2 – Very Bad.
STORY: Boring exposition scenes interrupted by obligatory and meaningless fights.
At the beginning I was slightly confused, because SAO:A does not directly follow on its second season. This confusion lasted only a few episodes and worked as a setup for a new “death simulation” for Kirito, without his harem, but with the same amount of plot armor and OPnes.
Terrible writing is more apparent in this season than anywhere else in the franchise. This show is too busy creating lengthy exposition dumps about either mundane or unnecessary topics: several episodes long discussion about calling and its meanings, that loses relevance after 1 sword swing; an entire episode to establish something as simple as basic royalty system; or 15 minutes of backstory for 2 characters, who lose within 10 seconds and vanish, just to name a few. As a result, plot progresses at a snail pace.
Not that the actual plot is any good. A lot of techno gibberish, plot holes and questionable motivations. Just a simple “save the girl” premise buried under a convoluted mess of pointless subplots.
At least, people will stop talking about Asuna’s horrible treatment in the first season, as SAO:A manages to top that scene. Genius.
CHARACTERS: Kirito - doubled; harem - disabled.
There is Kirito and then there is lesser Kirito, who is just a slightly inferior version of the original. Support cast consists of crazy dudes and girls, predetermined assault victims or characters who die for nothing. There is really not much to talk about here.
ART & ANIMATION: One step forwards, two steps backwards.
While character models and backgrounds show more craftsmanship than the average anime show, SAO:A seems sterile und unimaginative, be it detailed but boring backgrounds or character designs.
The biggest downgrade happened to action scenes. Sword fights turned into arm wrestling competition, where combatants just press glowing sticks against each other. Gone are the days of fluid sword dancing. Even the most potent fight against goblins in ep4 borrows too much from infamous directorial techniques like unnecessary camera movement or excessive close-ups, executed at 10 cuts per second. I certainly could not enjoy presented action.
SOUND: The most anime sound possible.
This is a MVP production, as Minimal Viable Product. Neither the music, nor the voice act stand out and will leave any memory. Maybe with the exception of this distorted sound on high energy impacts during fights.
Do not waste your time on this garbage. If you are looking for a competent “trapped in a video game world” anime with a clear goal, superb world building, diplomacy, smart use of game mechanics and successful focus on NPCs, try Log Horizon.
Sword Art Online -Alicization-
Sword Art Online -Alicization-
“Where...am I...?” Before he knows it, Kirito has made a full dive into an epic, fantasy-like virtual world. With only a murky recollection of what happened right before he logged in, he starts to wander around, searching for clues. He comes upon an enormous, pitch-dark tree (the Gigas Cedar), where he encounters a boy. “My name is Eugeo. Nice to meet you, Kirito.” Although he is supposedly a resident of the virtual world - an NPC - the boy shows the same array of emotions as any human being. As Kirito bonds with Eugeo, he searches for a way to log out of this world. Meanwhile, he remembers a certain memory deep down within him. He remembers racing through the mountains with Eugeo as a child… A memory that he should not have in the first place. And in this memory, he sees someone other than Eugeo, a young blond girl. Her name is Alice. And it is a name that must never be forgotten...
3 sword art online season
.Sword Art Online: Alicization - War of Underworld part-2 - Ep 13-25 - Full Anime English Dub 2021
You will also like:
- Salvage yards in muskogee oklahoma
- Ford wonder for sale
- Sunflower eucalyptus bouquet
- Metallic betta fish
- Cheap tervis tumblers
- Allergy index orlando
- Fast carburetor
- Geek squad repair center